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		<title><![CDATA[Pim.be / A practical question about restrained AI-audio cleanup]]></title>
		<link>https://forum.pim.be/viewtopic.php?id=297595</link>
		<description><![CDATA[Les sujets les plus récents dans A practical question about restrained AI-audio cleanup.]]></description>
		<lastBuildDate>Mon, 14 Sep 2026 21:36:03 +0000</lastBuildDate>
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			<title><![CDATA[A practical question about restrained AI-audio cleanup]]></title>
			<link>https://forum.pim.be/viewtopic.php?pid=1932920#p1932920</link>
			<description><![CDATA[<p>I am preparing a small set of Suno stems for a community project, and the last export left faint clicks and metallic tails between phrases. The tracks are usable, yet those details become distracting on headphones. I do not need a dramatic remake; I want careful cleanup that preserves timing and the character of the vocals. While comparing practical options, I found <a href="https://sunoaudiofix.top" rel="nofollow">this workflow note</a>. It gave me a starting point, but I would value advice from people who have tested similar tools. I am trying to decide whether selective repair belongs before or after a light EQ pass. My main concern is retaining believable vocal detail. A separate test render seems reasonable. I can compare matching sections without changing the whole track. The repair should remain gentle. Any processed layer must align smoothly with the original. I also need documented settings for later revisions. A single listening session may reveal more than meters alone. The final mix should still feel natural. The chosen steps must be quick to document. I will also listen at low volume. I would rather leave a minor flaw than create a new one. Has anyone found a dependable order for this kind of light repair? Thanks for sharing real workflows.</p>]]></description>
			<author><![CDATA[dummy@example.com (MarvinBip)]]></author>
			<pubDate>Mon, 14 Sep 2026 21:36:03 +0000</pubDate>
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